Eleven outstanding poetry collections on Thursday, July 23, 2026, made the longlist of 11 for the 2026 edition of The Nigeria Prize for Literature.
The poetry collections which emerged on the longlist were selected from 223 entries received earlier for the competition.
The announcement was made by the chairman of the Advisory Board for the Prize, Prof Akachi Adimora-Ezeigbo, marking a significant milestone in this year’s competition while also reflecting the exceptional quality, creativity and diversity of contemporary poetry.
The longlisted titles, arranged alphabetically are: Adult Love by Tanure Ojaide, Bakandimiyaby Saddiq Dzukogi, Black Passportby Paul Akpomuje, 2000 Blacks by Ajibola Tolase, Ceremony for The Namelessby Theresa Lola, and Corpus: Animistic Versesby Ayo Oyeku.
Others are: Floral’s Love Colonyby Tares Oburumu, The Origin of Wounds by Malik Gbolahan, The Years of Blood by Adebayo Agarau, Unbind Me Nowby James Ugwu Eze and Why Does God Need a Gunby Ogaga Ifowodo.
The announcement of the 11-title longlist formally opens the next phase of the shortlist of three in August and possible announcement of the winner in October. The Nigeria Prize for Literature, sponsored by NLNG, carries a cash award of $100,000 for the author of the winning book.
In its 22nd year, the prize rotates annually across four genres – prose fiction, poetry, drama and children’s literature- with the 2026 edition devoted to poetry.
Professor Adimora-Ezeigbo described the announcement as an important stage in the 2026 edition of the arguably African biggest and most prestigious literary Prize.
She noted that the collections demonstrate the remarkable capacity of poetry to illuminate human experience through thoughtful reflection, cultural memory and artistic expression, adding that, the works revisit history while interrogating dominant historical narratives and exposing the forces that shape collective identities and social relations.
Prof Adimora-Ezeigbo stated that despite their varied emphases, the books share a commitment to exploring the endurance of individuals and communities in the face of violence, oppression, and social fragmentation.
Commenting on style and language, Prof. Adimora-Ezeigbo said the books display an impressive diversity of poetic techniques marked by lyrical intensity, symbolic depth, and artistic innovation.
Her words, “Many employ densely poetic, allegorical, and elegiac modes that invite multiple layers of interpretation, while others draw extensively on folklore, oral traditions, and contemporary realities to create a compelling fusion of past and present. Their language is generally fluid,
evocative, and aesthetically refined, relying on vivid imagery, emotional resonance, and intellectual sophistication to communicate complex ideas. These works demonstrate how poetic language can illuminate social realities; challenge established perspectives and give voice to both individual and collective experiences.
“The next stage will demand a closer reading of each work, with attention to language, form, originality and lasting literary value.”
She then commended the judges for their work and reaffirmed the Advisory Board’s commitment to a credible process, literary excellence and the promotion of a strong reading culture.
